Name | Name Sort ascending | School | Subject | Year | Undergraduate College | Dissertation Title | Faculty Advisers |
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Carol Sheriff | Carol Sheriff | Yale | History | 1991-1992 | The Erie Canal and the Social History of the Transportation Revolution in Antebellum America |
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Constance Sherak | Constance Sherak | Stanford | French | 1987-1988 | |||
Jennifer M. Sheppard | Jennifer M. Sheppard | Bryn Mawr | Art History | 1982-1983 | |||
Emily Jane Shelton | Emily Jane Shelton | Chicago | English, Comparative Literature | 2000-2001 | My Secret Life: Photography, Melancholy Realisms, and Modern Personhood |
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April Grace Shelford | April Grace Shelford | Princeton | History | 1993-1994 | The 17th Century Confronts the Bible: The Case of Pierre-Daniel Huet |
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Daniel Sheffield | Daniel Sheffield | Harvard | Near Eastern Studies | 2011-2012 | Harvard | In the Path of the Prophet: Sacred Narratives of the Life of Zarathustra in Medieval and Early Modern Zoroastrianism |
Prods Oktor Skjærvø |
Clarence B. Sheffield, Jr. | Clarence B. Sheffield | Bryn Mawr | undefined | 1995-1996 | The Myth of the Peasant in Norwegian Painting (1880-1920): from Naturalism to Modernist Expressionism |
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Miranda Shaw | Miranda Shaw | Harvard | Religion | 1990-1991 | The roles of women in early Tantric Buddhism, 8th |
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Edward L. Shaughnessy | Edward L. Shaughnessy | Stanford | Asian Languages | 1981-1982 | |||
Devyani Sharma | Devyani Sharma | Stanford | Linguistics | 2001-2002 | Syntactic Variation in Non-Native English |
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Sunil Sharma | Sunil Sharma | Chicago | Near Eastern Studies | 1997-1998 | Poetics of Court and Prison in the Divan of Mas`us-e Sa`d |
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Heather Sharkey-Balasubramanian | Heather Sharkey-Balasubramanian | Princeton | Princeton | 1996-1997 | Profile of a Generation: Northern Sudanese Intellectuals And Colonial Rule, 1898-1938 |
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Steven Shankman | Steven Shankman | Stanford | Comparative Literature | 1976-1977 | |||
Jenny Shaffer | Jenny Shaffer | Columbia | Art History | 1991-1992 | Recreating the Past: Aachen and Its Copies |
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Michael Shae | Michael Shae | Yale | Comparative Literature | 1989-1990 | |||
Pavlos Vlassios Sfyroeras | Pavlos Vlassios Sfyroeras | Princeton | Classics | 1990-1991 | Cult and Ritual as Reflected in Aristophanes |
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Kieran Setiya | Kieran Setiya | Princeton | Philosophy | 2000-2001 | Reasons without Rationalism |
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Victor Seow | Victor Seow | Harvard | East Asian Studies | 2013-2014 | McGill University | Carbon Technocracy: East Asian Energy Regimes and the Industrial Modern |
Mark C. Elliott, Elizabeth J. Perry, Ian J. Miller, and Andrew D. Gordon |
David Sena | David Sena | Chicago | East Asian Studies | 2004-2005 | Reproducing Society: Kinship and Social Organization in Western Zhou China |
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Rena Selya | Rena Selya | Harvard | History of Science | 2001-2002 | A Study of the scientist Salvador Luria (1912 - 1991) |
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Michael A. Sells | Michael A. Sells | Chicago | Religion | 1981-1982 | |||
Daniel Selden | Daniel Selden | Yale | Comparative Literature | 1983-1984 | |||
Martha Ann Selby | Martha Ann Selby | Chicago | South Asian Studies | 1992-1993 | Toward a Grammar of Love: A Comparative Study of Forms and Figures in Classical Indian Poetry |
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Robert A. Segal | Robert A. Segal | Princeton | Religion | 1973-1974 | |||
Judith L. Seeger | Judith L. Seeger | Chicago | Romance Languages | 1981-1982 | |||
Stuart Donaldson Sears | Stuart Donaldson Sears | Chicago | Near Eastern Studies | 1992-1993 | Money and Its Use in Iraq and Iran, 590 |
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Roy Scranton | Roy Scranton | Princeton | English | 2014-2015 | "The Lost War: World War II and American Literature, 1945-1975" |
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Helen G. Scott | Helen G. Scott | Chicago | Slavic Languages and Literatures | 1979-1980 | |||
Daryl Scott | Daryl Scott | Stanford | History | 1990-1991 | The Making of the Sacred Psyche: Mental Health, Social Movements and the Transformation of Public Morality in America, 1929 |
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Laurel Scotland-Stewart | Laurel Scotland-Stewart | Stanford | Philosophy | 2005-2006 | If Only You Could See: Invisibility, Agency and the Self |
Please choose a Dissertation Fellow on the left to see details.