Search All Winners

Name Sort descending Genre Year
Raymond Abbott Fiction 1985
Aria Aber Poetry 2020
André Aciman Nonfiction 1995
David Adjmi Drama 2010
Ellen Akins Fiction 1989
Daniel Alarcón Fiction 2004
Jeffery Renard Allen Fiction 2002
Jeffery Renard Allen Poetry 2002
Mindy Aloff Nonfiction 1987
Diannely Antigua Poetry 2020
Will Arbery Drama 2020
Elizabeth Arnold Poetry 2002
John Ash Poetry 1986
Kirsten Bakis Fiction 2004
Catherine Barnett Poetry 2004
Clare Barron Drama 2017
Elif Batuman Nonfiction 2010
Jen Beagin Fiction 2017
Jo Ann Beard Nonfiction 1997
Joshua Bennett Poetry 2021
Mischa Berlinski Fiction 2008
Ciaran Berry Poetry 2012
Aaliyah Bilal Fiction 2024
Liza Birkenmeier Drama 2025
Sherwin Bitsui Poetry 2006
Scott Blackwood Fiction 2011
Brian Blanchfield Nonfiction 2016
Tommye Blount Poetry 2023
Judy Blunt Nonfiction 2001
Anne Boyer Poetry 2018
Claire Boyles Fiction 2022
Courtney A. Brkic Fiction 2003
Joel Brouwer Poetry 2001
Jericho Brown Poetry 2009
Rita Bullwinkel Fiction 2022

Selected winners

Manuel Muñoz
2008
The Faith Healer of Olive Avenue
Stories

“He has something of mine,” the man said.

 

With that, she turned to look at him. “Who are you?” she finally demanded. “Sergio called me to come pick him up, not you.”

 

“You don’t know me?” His voice pitched higher, edging toward frustration, maybe anger. “You don’t know who I am?”

 

“No,” she finally said. “I don’t.”

 

“He’s got my heart,” the man said, melodramatically holding his hands across his chest, but he sneered a bit when he said it. “He’s got a lot of things I want back.”

 

Copyright © 2006 by Manuel Muñoz. By permission of Stuart Bernstein Representation for Artists, New York, NY and protected by the Copyright Laws of the United States. All rights reserved.  The printing, copying, redistribution, or retransmission of this Content without express permission is prohibited.

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Taylor Johnson
2024
Inheritance: Poems

If there is a ground, then there are bodies beneath it.

 

If the bodies know my name, then I am said to be protected.

 

If I am spoken for, then I could've died a number of times.

 

If I am still here, then I am speaking for the dirt.

 

If there is dirt, then there is my mouth wet and ripe with questions.

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Damien Wilkins
1992
The Miserables
A Novel

When the ferry berthed at Picton, the American was to purchase two one-way tickets back to Wellington; one under Healey’s name and one under his own real name; he was at present travelling under a false name. He would pass over both these tickets to Healey and then disappear for good. Healey would deposit the American’s ticket in a rubbish bin on board. Then at a certain point in the voyage, when it was dark and they were towards the middle of the Strait—this was important, the American had told him, because of the currents which might easily drag a body far out to sea—Healey was to raise the alarm that he had just seen a man jump overboard.

 

The ferry would most likely be stopped and Healey would have to take a role in looking for the missing man. He would have to be ready to indicate how the figure fell and from where exactly, what he was wearing, what he looked like, and in none of these details should he be too precise. It was dark. No one else was on this part of the deck when it happened and Healey himself was on an upper deck and saw it more or less out of the corner of his eye. No, the man did not shout or make any noise as he jumped.

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Raymond Abbott
1985
That Day in Gordon
A Novel

Still behind him was that damn coyote. A determined critter, he was. He hadn’t caught sight of him for at least an hour, but he felt his presence out there. At first he had feared him. Now he didn’t. If circumstances were different he might have welcomed the company of a coyote on a lonely walk on a snowy night. At best, the coyote’s presence was disconcerting. He was puzzled. Why would a coyote be so determined? Poor animal. It had been such a hard winter for man and beast.

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Alice Sola Kim
2016
Monstrous Affections
An Anthology of Beastly Tales

The car veered, a tree loomed, and we were garlanded in glass, and a branch insinuated itself into Mini’s ribs and encircled her heart, and Ronnie sprang forth and broke against the tree, and in the backseat Caroline was marveling at how her brain became unmoored and seesawed forward into the jagged coastline of the front of her skull and back again, until she was no longer herself, and it was all so mortifying that we could have just died, and we did, we did die, we watched every second of it happen until we realized that we were back on the road, driving, and all of the preceding was just a little movie that Mom had played inside of our heads.

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Christopher Tilghman
1990
In a Father's Place
Stories

The boy’s name is Cecil Mayberry; he is twelve, white, and he knows something. He knows what his mother is going to make for supper, pot roast and green Jell-O salad; he knows that the Russians have put a Sputnik in the sky. But these are not the items that are just now on Cecil’s mind. He is thinking about a man, a waterman, lying face down in a tidal pool two hundred yards from where he sits. Cecil knows the man’s name, Grayson “Tommie” Todman, and he knows that two .22-caliber bullets have made a mess of Tommie’s head. He knows the first one entered just below the right cheekline, cutting short Tommie’s last Fuck You to the world, and the second one grazed through his hair before nipping in at the peak and blowing out a portion of Tommie’s unlamented brain.

 

In fact, this is going to be the first time in Cecil’s life—but not the last—that he is an undisputed expert on a certain subject. He knows who shot Tommie, and why.

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